jan 11

the plague, camus analysis

Word games are ridiculous now. Further delving into Albert Camus and his life, he was a French philosopher, author, and journalist. Still considering his setting, note that Camus has done two things with Oran as a stage for his chronicle. In Chapter 8, the plague and municipal efforts play tick-tack-toe. Oran turns its back on the bay. The mention of a "normal" dying man, "trapped behind hundreds of walls all sizzling with heat," suggests the mazes of Dante's hell, mazes which must be traversed before the plague's thousands of deaths are tolled. Rieux includes a brief physical description of himself written by Tarrou, and then ends the chapter which seems, on the whole, somewhat fragmentary. Black is white to the people, and Camus' adjectives, in a parallel, often describe something quite the opposite of what is. Richard, the telephoned colleague of Dr. Rieux, exhibits an oft-used approach of intellectuals toward problems. The most meaningful action within the context of Camus' philosophy is to choose to fight death and suffering. He is now concerned that he live, that the police do not arrest him, and that his rights be fully respected. The Plague is a novel about a plague epidemic in the large Algerian city of Oran. The mercantile air of Oran also pleases Tarrou. Thanks for exploring this SuperSummary Plot Summary of “The Plague” by Albert Camus. He shrugs away the matter, saying "it'll pass." Some of Camus' descriptions of the rats in this chapter are worth brief notice. Camus wrote early on, in an essay entitled Le Desert, about “repugnant materialism”. The plague in question afflicted Oran in the 1940'2; and on one plane the book is a straightforward narrative. For an informed analysis of The Plague, we need to look at some background to Camus’ philosophy in two other essays, one published before The Plague and one after. It describes the bloated corpse of a rat. The mess starts when rats everywhere die. Rieux counters his introductory remarks by debunking them. Albert Camus's novel The Plague is about an epidemic of bubonic plague that takes place in the Al-gerian port city of Oran.When the plague first arrives, the residents are slow to recognize the mortal danger they are in. eNotes plot summaries cover all the significant action of The Plague. Spring's heavy perfume is in extreme contrast to the heavy smell of death. In the 14th century, the bubonic plague, also known as the “Black Death” killed almost a third of the Here again we see Rieux as quite the opposite of a wily Odysseus hero-type or an undaunted chivalric figure. Grand struggles over perfecting the beginning of a manuscript. The Plague Summary. She survives. Explore Course Hero's library of literature materials, including documents and Q&A pairs. First, Rieux considers Grand's occupation as clerk. When the epidemic wears on for months, many of Oran's citizens rise above themselves by joining the anti-plague effort. Rieux's initial acceptance of the plague is a major scene in this first section, and as relief from this tension Chapter 5 briefly changes the pace. The plague tallies a few more deaths, and officials respond with a brief notice or two in obscure corners of the paper and small signs at obscure city points. His determination to be simply efficient and thorough is his answer for the present — doing one's job as it should be done. The announcement of death is paramount in Camus' philosophy and in his novels. In the relaxingly furnished quarters of a municipal official, amid a background of professional-sounding doctors and their medical jargon, one is far from the bloody pus pockets of the city. Even now, perhaps, one believes that the novel will not be so wholly concerned with death, but it will be. If so, this amplifies the narrator's comment in Chapter 2 comparing the rats to pus, oozing from the abscesses beneath the town. Another character, although her part in the book is small, is introduced in this first chapter and is important because she exhibits a general Oranian attitude toward the plague's symptoms. Use up and down arrows to review and enter to select. The Plague Introduction. Rieux, as narrator, castigates the townspeople for their stupidity and frivolity, these people who refuse to conjure and consider consequences. He tosses semantics to the timid-tongued doctors. Here is a man who challenges death in this repulsive setting and accomplishes what he desires most — making music. Empty phrases that he gropes forward with — phrases like "his grim resolve" and "his secret grief," phrases that border on being clichés. Camus refutes this armchair attitude; he characterizes the town as filled with bored people, people who have cultivated habits, people whose chief interest is "doing business." What Camus’s The Plague can teach us about the Covid-19 pandemic A conversation about solidarity and revolt in Camus’s famous novel. Earlier, he has said "one's got to help a neighbor, hasn't one?" Rieux admits that he is afraid. The reality is like a bad dream — absurd. He insists on being left in peace, yet now he effects a change. Explore Course Hero's library of literature materials, including documents and Q&A pairs. He is totally pledged to the populace, but not even yet does he divine what it is that hovers over Oran. Here is a point, brief as it is, of normalcy to weigh later against the extreme. The doctor patiently fights the plague, but is often confused about his duty: he, as the doctor, is supposed to save people, but in the case of plague, he just has a chance to isolate them from the healthy ones, and record their death. Rieux has proven himself to be a man of logic; this pondering is quite in character. Are you sure you want to remove #bookConfirmation# Why does anyone attempt suicide? Albert Camus' gritty philosophical masterpiece, The Plague, tells of the horror and suffering that accompanied a plague as it swept through 1940s Algeria. He does not undergo here a metamorphosis and emerge something much grander than before. Plague never enters his head. Grand's character takes on ambiguous shapes. Most of Oran talks, scribbles, and muscles their days into ample financial rewards. Tarrou continues to observe, the old man spits on the cats, Grand writes, Cottard goes his way, the Spaniard counts his peas. It is difficult during these Covid days not to recall his most famous novel The Plague (1947) which describes the outbreak of a terrible disease which ravaged the population of Oran in North Africa, resulting in its isolation and shut down. Everyone who chooses to fight the plague, to rebel against death, knows that their efforts increase their chances of contracting the plague, but they also realize they could contract the plague if they did nothing at all. The journalist Rambert seems, at this point, only a foil for Rieux. These papers were written primarily by students and provide critical analysis of The Plague. When Grand explains "one's got to help a neighbor, hasn't one?" When a mild hysteria grips the population, the newspapers begin clamoring for action. Rieux notices the sudden appearance of dying rats around town, and … In this way, The Plague is infused with Camus' belief in the value of optimism in times of hopelessness. He now eats in luxury restaurants and flourishes grand tips. He leaves the room of doctors, a room of health and sanitation and goes outside, into the fresh air — now full of disease, and he sees bloodied evidence that affirms his stand for us and stiffens his resolve for action. Officially, rats and fleas are to be exterminated; illnesses resembling the mysterious fever are to be reported and patients isolated. La Peste = The Plague, Albert Camus The Plague is a novel by Albert Camus, published in 1947, that tells the story of a plague sweeping the French Algerian city of Oran. Father Paneloux A priest in Oran.. Raymond Rambert A Paris journalist trapped in Oran.. Joseph Grand A petty official, also a writer.. Cottard A criminal who hides from arrest in Oran.. M. Michel A concierge, the plague's first victim. He is announcing the deaths of many people, common people, and as spectators, we will wait, watch, hear, and perhaps learn from the consequences of the everyday Oedipuses and Creons of Oran — citizens warned again and again of their fate to die, yet who choose to be unbelieving, antagonistic, and indifferent to the warning. So that the book will not have a one-viewpoint narrative, the author of the chronicle offers the notebooks of — not an Oranian — but those of an outsider, Jean Tarrou. At last word comes from the head of officialdom — Rieux's efforts to convince the proper authority that an epidemic has begun are rewarded — the town is to be severed, totally isolated. He hopes to tell his story authentically, directing the narrative to our intellect and our imagination rather than to our heart strings. Camus was not, however, to faithfully render Oran much further than geographically locating it for the reader. At present, he admits that he works for a newspaper that compromises with truth. And since Camus has lamented that man's imagination has ceased to function, perhaps the reader would do well to expand it here in this trapped, sizzling, "normal" situation of death and imagine the eventual effect of the plague. Perhaps, it is hoped, the plague will then take care of itself. He describes the blood puddles around their noses as looking like red flowers. He sees them as pitiful, and universal, dupes of illusion. Having briefly illuminated Oran's life and love, the next focus is naturally enough on the other end of the human cycle — death. Albert Camus, though denying the tag of existentialism, was and still is a great name amongst French existentialist authors who helped sculpt and define the movement in literature. He takes particular delight in regularly watching an old man coax cats beneath his balcony then, ecstatically, spitting on them. Albert Camus's The Plague Plot Summary. Once he set the novel in the hot region of North Africa and had captured our belief in its existence, he began recreating Oran and its people in Western terms. From the title, you know this book is about a plague. Plague is proclaimed. Yet both are. A snail's pace is exactly the tempo that the town has taken concerning the investigation of the curious fever deaths. Is he wasting time? "It's like that sometimes," says Rieux's mother, suggesting a seen-much, lived-through-much mind. Death is a "discomfort." And, if up to now he has been one step ahead of the townspeople in conscientiously trying to isolate and arrest this mysterious virus, he has never completely stopped and considered the panorama of torment which will be in store for the prey of the plague. Finally Rieux seems at a loss for an answer. Ironically, Rieux remarks, just such insignificant people often escape plague. It asks a number of questions relating to the nature of destiny and the human condition. His remarks about his new acquaintances being good — witnesses and his unease in a gossip about a murder case — these suggest to Grand that he has something on his conscience. When Camus wrote this novel, there was no epidemic of plague in Oran. Like the sudden relief from the rats before the plague sets in, the patients all seem to take a turn for the better just before their death struggles. The Plague (Penguin Classics). He even admits that his heart responds whenever he recalls his deceased parents. Only old Dr. Castel says matter-of-factly that plague is their visitor. His search is for a knowledge that will produce a perfect prose. He has, then, created a city far enough away esthetically and geographically for his artistic purposes, but one which has the tempo and coloring of our own environment. He lacks almost all sense of commercial survival. Into it, however, can be read all Camus's native anxieties, centred on the idea of plague as a symbol.' Studying his reaction to the dead rats — the symptoms of the plague — we find him to be a common-sense type of "hero." The first dead rat begins the chapter; the first victim ends it. Gulliver's Travels has improbable place names, as does Erewhon, and both works have a fairy tale quality, largely because of their ambiguous settings. Why didn't Grand respond then? His role will enlarge as the story develops. 9782806270160 29 EBook Plurilingua Publishing This practical and insightful reading guide offers a complete summary and analysis of The Plague by Albert Camus. This isolation of Rieux and of Oran is buttressed by one of Camus' exacting images. Its death-dealing powers are so enormous that his imagination fails to respond to the figure of a hundred million deaths, a figure he reckons as the historical toll of plague. Found it in Oran, a town built of physical ugliness and a. Death strikes Oran in the opening scenes of the German occupation of France against Camus... 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